Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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ELIAERTS, Jan Frans
Bouquet of Flowers in a Sculpted Vase dfg

ID: 06558

ELIAERTS, Jan Frans Bouquet of Flowers in a Sculpted Vase dfg
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ELIAERTS, Jan Frans Bouquet of Flowers in a Sculpted Vase dfg


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ELIAERTS, Jan Frans

Flemish painter (b. 1761, Antwerpen, d. 1848, Antwerpen)  Related Paintings of ELIAERTS, Jan Frans :. | The Virgin Appearing to St Philip Neri | Woman and Child in an Interior | Portrait of Dante Alighieri | Pygmalion and Galatea | Portrait of a lady |
Related Artists:
Willem Wissing
Willem Wissing, also known as William Wissing (1656 - 10 September 1687), was a Dutch portrait artist. He was born in either Amsterdam or The Hague, and studied at The Hague under Willem Doudijns (1630 - 97) and Arnoldus van Ravestyn (1615 - 90). In 1676, he moved to England, where he studied with and assisted Peter Lely. After Lely's death in 1680, Wissing emerged as his most important pupil. Godfrey Kneller was the only contemporary portrait artist in England to rival Wissing. Wissinges royal sitters include Charles II of England, Queen Catharine of Braganza, Prince George of Denmark and James Scott, 1st Duke of Monmouth.
Bafcop Alexis
Flemish , 1804-1895
REYNOLDS, Sir Joshua
English Rococo Era Painter, 1723-1792 English painter, collector and writer. The foremost portrait painter in England in the 18th century, he transformed early Georgian portraiture by greatly enlarging its range. His poses, frequently based on the Old Masters or antique sculpture, were intended to invoke classical values and to enhance the dignity of his sitters. His rich colour, strong lighting and free handling of paint greatly influenced the generation of Thomas Lawrence and Henry Raeburn. His history and fancy pictures explored dramatic and emotional themes that became increasingly popular with both artists and collectors in the Romantic period. As first president of the Royal Academy in London, he did more than anyone to raise the status of art and artists in Britain. His Discourses on Art, delivered to the students and members of the Academy between 1769 and 1790,






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